The Festival of Britain ‘A Tonic for the Nation’ – Dr Sophie Hollinshead

The Festival of Britain ‘A Tonic for the Nation’

The Festival of Britain in 1951 provided a much-needed dose of colour, excitement and fun in post-war Britain. At the end of World War Two an exhibition was proposed that would commemorate the Great Exhibition of 1851 and provide a ‘tonic to the Nation’ and a welcome break from austerity, it was an opportunity to re-define ‘Britishness’ and engender a sense of national identity, and most importantly re-asserting Britain’s role as a manufacturing nation after the war.

Bio

Dr. Sophie Hollinshead worked at the University of Nottingham for over twenty-five years as a lecturer and programme manager in interdisciplinary humanities. She currently works at Newstead Abbey the ancestral home of the poet Lord Byron, and at Nottingham Castle. Her interests are in landscape, culture and above all place, and her PhD explored the transformatory potential of landscape on the individual. The impact, influences, traditions, and spirit(s) of place are what inspire her.

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

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The Magic of The Fens – Dr Sophie Hollinshead

The Magic of The Fens

The Fens are a strange, bleak and dangerous landscape, for many years remote and difficult to access. Unsurprisingly, perhaps, the landscape is inhabited by a range of supernatural entities ranging from witches who cast their spells with the fireside poker, the Ignis Fatuus who lures unsuspecting travellers to a watery death, to the Tiddy Mun still nursing his anger against the Dutch engineers who drained the Fens in the 17th Century. Hear stories from a landscape existing as liminal space between land and sea.

Bio

Dr. Sophie Hollinshead worked at the University of Nottingham for over twenty-five years as a lecturer and programme manager in interdisciplinary humanities. She currently works at Newstead Abbey the ancestral home of the poet Lord Byron, and at Nottingham Castle. Her interests are in landscape, culture and above all place, and her PhD explored the transformatory potential of landscape on the individual. The impact, influences, traditions, and spirit(s) of place are what inspire her.

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

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The Mystery of Sophia Hyatt, The White Lady of Newstead Abbey – Dr Sophie Hollinshead

The Mystery of Sophia Hyatt, The White Lady of Newstead Abbey

IIn 1818 a mysterious middle-aged woman, dressed mainly in white began to wander the grounds of Newstead Abbey, recently sold out of the Byron family by the poet George Gordon Byron. This was Sophia Hyatt, a deaf, nonverbal and visually impaired woman who was obsessed by the poetry of the Abbey’s previous owner. Her love for the Abbey and it’s environs was all encompassing and her relationship with its owners the Wildman’s troubled. She died in tragic circumstances, since when her ghost has been seen wandering the Abbey gardens. In 1834 Washington Irving published an account of her life, and in doing so created a legend. However, his story is far from complete and until now the true life and death story of Sophia Hyatt has lain undiscovered.

Bio

Dr. Sophie Hollinshead worked at the University of Nottingham for over twenty-five years as a lecturer and programme manager in interdisciplinary humanities. She currently works at Newstead Abbey the ancestral home of the poet Lord Byron, and at Nottingham Castle. Her interests are in landscape, culture and above all place, and her PhD explored the transformatory potential of landscape on the individual. The impact, influences, traditions, and spirit(s) of place are what inspire her.

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Poltergeist over Lincolnshire – Dr Sophie Hollinshead

Poltergeist over Lincolnshire

In the nineteenth century rural Lincolnshire saw a surprising outbreak of poltergeist activity. Although some of these phenomena proved to be the work of tricksters or bored teenagers, others remain genuinely mysterious. In small villages a number of seemingly paranormal occurrences convinced local people that supernatural and even diabolical entities were at work, what else could explain the resurrection of a hare, or the destruction of a string of sausages by invisible hands?

Bio

Dr. Sophie Hollinshead worked at the University of Nottingham for over twenty-five years as a lecturer and programme manager in interdisciplinary humanities. She currently works at Newstead Abbey the ancestral home of the poet Lord Byron, and at Nottingham Castle. Her interests are in landscape, culture and above all place, and her PhD explored the transformatory potential of landscape on the individual. The impact, influences, traditions, and spirit(s) of place are what inspire her.

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Taxidermy and the Country House: where natural History meets social history – Dr Pat Morris

Taxidermy and the Country House: where natural History meets social history

There can be few among us who have not gone for a walk and picked up an intriguing seashell or elegant feather and taken it home to share with children or friends. Such things are often kept for years. The more exotic, the more interest they generate. They also convey a message about their owner, being evidence of intellectual curiosity or their adventures in faraway places, a socially acceptable form of showing off. These motivations lie behind the many and varied collections of natural curios in our own houses, large and small. Those same motives applied in the past, and the bigger and wealthier the household, the more varied and spectacular a country house collection was likely to be.

Many country houses featured natural curiosities, gathered over several generations. They often included taxidermy, mainly in the form of ‘stuffed’ birds, sporting trophies and souvenirs of big game hunting in the Empire. Much of this went out of fashion in the 20th century and the mansions that accommodated them were themselves subject to social change and severe economic pressures. Thousands were demolished, their contents dispersed or destroyed.

Changes in public taste have undermined attempts to preserve, or even understand, taxidermy as part of our natural and cultural history. Moreover, it is vulnerable to natural destructive processes and requires careful conservation management, a cost which many owners have been unwilling to bear. Consequently, most of the displays that were formerly almost universal in country houses have been lost, compromising the ‘spirit of place’. The remaining collections represent an important aspect of the story of British natural history. They are also a record of how landowners and wealthy families interacted with wildlife and the countryside in the past, as a normal part of their every-day life.

What little remains is slowly becoming better understood, both as an aspect of our social history and as a legitimate art form. This book attempts to provide a background, to help owners and their visitors to better appreciate what they have and what they see. Chapters include a brief understanding of major taxidermists, what they did and how they did it, and a review of the social and natural environment in which country house collections became the norm. Taxidermy was a popular form of household decoration, often featuring hunting and fishing trophies. Some major land owners created extensive study collections, enriching our understanding of British wildlife. With the loss of hundreds of major mansions, and their taxidermy, as described above, where has it all gone? How should owners deal with the problems of looking after the surviving taxidermy collections, or even disposing of them? How should we respond to ill-informed criticism and against a background of declining biodiversity? Maybe, as a former Prime Minister once said, we should try to condemn less and understand more. Perhaps this book will help.

Bio

Dr Pat Morris was Senior Lecturer in Zoology at Royal Holloway, University of London, and retired (early) in 2002 to spend more time with his taxidermy. He taught many students who now work in wildlife conservation, and also taught evening classes for adults for 20 years. He is well known for his studies on mammals, especially hedgehogs, dormice, water voles and red squirrels. He is a past Chairman of the Mammal Society and holder of its Silver Medal. He was a Council Member of the National Trust for 15 years and Chairman of its Nature Conservation Advisory Panel. He is President of the British Hedgehog Preservation Society, a former Vice President of the London Wildlife Trust. He served on a Government Enquiry into aspects of the badgers and TB problem and for 3 years was co-Director of the International Summer School on the Breeding and Conservation of Endangered species, based at Durrell Zoo in Jersey.

He has published over 70 scientific papers, mostly on mammals and written about 20 books on bats, dormice, ecology of lakes and general natural history, with total sales of around 250,000. His popular book on hedgehogs has remained in print since 1983, his New Naturalist monograph on the hedgehog was published in 2018. He was a consultant to major publishers and the BBC Natural History Unit, for whom he also contributed radio and TV programmes for 20 years. He has travelled to more than 30 countries, including five expeditions to Ethiopia and 19 visits to the USA covering 47 of the States.

In his spare time he has pursued a longstanding interest in the history of taxidermy and was appointed the first Honorary Life Member of the Guild of Taxidermists. He published papers and 8 books on this topic and serves as one of the Government’s taxidermy inspectors for assessing age and authenticity of antique taxidermy in connection with CITES controls. The Society for the History of Natural History awarded him its Founder’s Medal and he was made MBE by the Queen in the 2015 New Year’s Honours List and has a devoted (biologist) wife, married in 1978.

He speaks in a purely personal capacity and not on behalf of any of the organisations with which he is involved, past or present.

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Hekate : Meeting the Goddess of the Crossroads – Melissa Madara

Hekate : Meeting the Goddess of the Crossroads

The ancient goddess Hekate is known in a variety of aspects, most notably as the goddess of the crossroads, witchcraft, and spirits of the dead. Join Melissa Madara for a deep dive into the winding, snaking history of the howling, nightmare goddess in all her various epithets, examining how her cult emerges and shifts through history to deliver her to us today.

This lecture will examine Hekate’s pre-historical origins, her rituals in the PGM, her demonization in the Roman empire, and her evolution into the decaying goddess of witches that we know today. We will explore her sacred plants, the songs and chants attributed to her name, her rituals, and her varied mythology & interpretations.

Image Wikimedia Foundation

Bio

Melissa Madara is a occultist, author, and educator, teaching magic and witchcraft from a historical perspective. Their work deals with the healing power of myth, divination, and immersion in the natural world, with an emphasis on plant folklore and historical formularies. Melissa is the curator of Moon Cult, an online community of curious witches who learn and practice together. Find Melissa’s interviews in the New York Times, Vice, Broadly, Teen Vogue, or Refinery 29, or see their published works in Fiddler’s Green, Venefica Magazine, or their two books, The Witch’s Feast & The Witch’s Workshop. Follow Melissa at mooncvlt.com or on IG @saint.jayne

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Introduction to Planetary Herbalism – Melissa Madara

Introduction to Planetary Herbalism

It may seem strange to look to the heavens while engaged in matters of the earth, but the varied and colorful history of correspondence between our heavenly bodies and plant allies can give us detailed insight into the nuances of these plants, and how they can be worked in our practice. Using the seven classical planetary spheres has been a useful way for magicians to organize, process, and access the material & metaphysical qualities of plants since the ancient world. This formula has been used to diagnose and cure diseases, make botanical elections in magical works, determine suitable offerings to particular spirits, and produce astrological charms and talismans from plants.

This lecture is an introduction to the art of planetary herbalism – a practice with roots extending deep into the ancient world, informing much of how we think about plants in the Western esoteric tradition. In this discussion, we will trace these practices from the past into modern times, and examine various practical applications for planetary herbalism in our personal craft.

In this deep introduction, we will cover:

  • planetary correspondences of magical plants
  • the use of herbs in crafting planetary talismans
  • folklore of the planets & their associated plants
  • key harvesting moments in the solar and lunar calendar
  • pathways to working with these plants for the creation of oils, infusions, and other preparations

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Bio

Melissa Madara is a occultist, author, and educator, teaching magic and witchcraft from a historical perspective. Their work deals with the healing power of myth, divination, and immersion in the natural world, with an emphasis on plant folklore and historical formularies. Melissa is the curator of Moon Cult, an online community of curious witches who learn and practice together. Find Melissa’s interviews in the New York Times, Vice, Broadly, Teen Vogue, or Refinery 29, or see their published works in Fiddler’s Green, Venefica Magazine, or their two books, The Witch’s Feast & The Witch’s Workshop. Follow Melissa at mooncvlt.com or on IG @saint.jayne

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Working the Poison Path : Poisonous Plants for Witches – Melissa Madara

Working the Poison Path : Poisonous Plants for Witches

When looking at a medicinal understanding of poisonous plants, we can see that within their toxic cocktail of chemicals, there lies the capacity to create great medicines as well as lethal weapons. The archetype of the witch relies upon incorporating this two-handed approach; embracing the capacity to hex alongside the capacity to heal, to cure and to curse, and to hold space for both understandings within the same whole. For this reason, poisonous plants are positioned as particularly useful allies to witches, for they speak the same morally-ambiguous language as we do.

By exploring a select few of these poisonous plants, we will illuminate this two-handed approach to witchcraft, and uncover the path of working these deadly allies in ritual, medicine, and craft. We will explore the mythology, history, and science of poisonous plants, providing an informed pathway for further exploration of their spirits in your personal work.

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Bio

Melissa Madara is a occultist, author, and educator, teaching magic and witchcraft from a historical perspective. Their work deals with the healing power of myth, divination, and immersion in the natural world, with an emphasis on plant folklore and historical formularies. Melissa is the curator of Moon Cult, an online community of curious witches who learn and practice together. Find Melissa’s interviews in the New York Times, Vice, Broadly, Teen Vogue, or Refinery 29, or see their published works in Fiddler’s Green, Venefica Magazine, or their two books, The Witch’s Feast & The Witch’s Workshop. Follow Melissa at mooncvlt.com or on IG @saint.jayne

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Potions, Elixirs, & Magical Brews – Melissa Madara

Potions, Elixirs, & Magical Brews

Potions, brews, elixirs, and tonics have been used for centuries to heal the sick, engender feelings of love, and add potency to ritual or celebration. Today, these preparations are a powerful tool in the hands of the witch, apothecary, or herbalist. Join Melissa Madara, for a practical foray into the world of potions, their history, and their applications.

This lecture will cover –

  • A demonstration of the basic herbal preparations involved in potion making
  • An introduction to potions, their components & their uses
  • A look at magical beverages from history
  • A knowledge-share of recipes, inspiration, and herbal formulas!

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Bio

Melissa Madara is a occultist, author, and educator, teaching magic and witchcraft from a historical perspective. Their work deals with the healing power of myth, divination, and immersion in the natural world, with an emphasis on plant folklore and historical formularies. Melissa is the curator of Moon Cult, an online community of curious witches who learn and practice together. Find Melissa’s interviews in the New York Times, Vice, Broadly, Teen Vogue, or Refinery 29, or see their published works in Fiddler’s Green, Venefica Magazine, or their two books, The Witch’s Feast & The Witch’s Workshop. Follow Melissa at mooncvlt.com or on IG @saint.jayne

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

The Witch’s Guide to Crafting Oils, Salves, and Unguents – Melissa Madara

The Witch’s Guide to Crafting Oils, Salves, and Unguents

Magic oils have become a fixture in most modern occult practices, and for good reason. They are self-stable, easily crafted substances which can hold powerful plant medicine and extracts for future use. In this lecture, we will look at a history of magic oils, salves, and unguents, examining spells from the ancient past to understand why these substances have become so iconic within the witch’s canon. Students will enjoy a deep-dive of historical charms and rituals, recipes for oil crafting, and a detailed demonstration of how to infuse your own spell oils and magical balms at home.

Image designed by freepik

Bio

Melissa Madara is a occultist, author, and educator, teaching magic and witchcraft from a historical perspective. Their work deals with the healing power of myth, divination, and immersion in the natural world, with an emphasis on plant folklore and historical formularies. Melissa is the curator of Moon Cult, an online community of curious witches who learn and practice together. Find Melissa’s interviews in the New York Times, Vice, Broadly, Teen Vogue, or Refinery 29, or see their published works in Fiddler’s Green, Venefica Magazine, or their two books, The Witch’s Feast & The Witch’s Workshop. Follow Melissa at mooncvlt.com or on IG @saint.jayne

Curated & Hosted by

Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day